Here’s an old project I never wrote about… Every now and then I just experiment with things, and this piece started with using Inkscape for an illustration of a rocket. Here it is. Pretty boring!
I ended up creating a scene for the rocket. Look, it’s going to Mars! Someday I’d like to go to Mars…
Since I tend to think of any illustration as cutting paths I tend to avoid strokes and just use solid objects, which comes in handy, especially if you decide to use digital fabrication techniques to create things.
I next took my illustration, which was essentially a two-color design on a black background) and created color separations. One for the silver, and one for the red.
I then created DXF files I could load into Silhouette Studio so I could cut stencils and paint the scene onto an 8″ x 8″ canvas. (Yes, sometimes I mess around with paint.) You might also notice I added registration marks, these are things you learn from years of working in the print industry and printmaking.
Here’s the result of cutting two stencils and spray painting them onto a black canvas. It turned out okay, but I didn’t love it. (Probably because I don’t love painting.) What I do love is the fact that with vector artwork it’s easy to scale things, so I did.
Here’s a 12″ x 12″ version of the artwork, but this time I used a piece of painted wood and just applied cut vinyl to it. I really like how this one turned out. In fact, it’s hanging in the shop right now.
Sometimes I get so caught up in creating 3D (or 2.5D) work that I forget how much I like doing 2D stuff. I should probably do more in the future.
I woke up early on Sunday and had an idea for a project, and since I had a bunch of copper boards laying around, and just got some Liquid Tin, I made a super-simple name tag PCB.
I started by designing in Inkscape with a canvas slightly larger than what I needed, and a cutting guide the exact size of my copper board.
Here’s the outline of the design, which I exported as a DXF file. The outer line was useful in making a (near) perfect alignment when I put the vinyl on the copper board.
I then imported the DXF file into the Silhouette Studio software so I could cut some vinyl to use as a resist for etching. (As mentioned previously, my etching solution is hydrogen peroxide, vinegar, and a bit of salt.)
Etching took over 75 minutes, but after it was done and cleaned off I dropped it into the Liquid Tin. It started getting bright and shiny immediately! (Sorry, no photos of the bare copper because I was working fast.)
I soldered a blinking LED and a resistor in place, and since I still don’t have a tiny drill at home I went with surface mount of through-hole components, which works fine.
I also needed power, so I added a CR2032 battery and a binder clip along with a wire. The bottom of the battery (positive) goes against the PCB while the top (negative) gets a wire held against it with the binder clip. (Pretty much just borrowing heavily from the Learn to Solder Kit.)
Since I’m etching my own boards, there’s a number of steps in the process. I’ve covered it all in the photos below, and I’ll add in a bit of text to explain things.
I start with cutting vinyl on a Silhouette Cameo. Any vinyl cutter will do, this just happens to be the one I have at home. (We have the same model at Milwaukee Makerspace, and the DCRL has a much larger vinyl cutter.)
The vinyl after being cut. I’m using old scraps of various sizes, and I’ve got an old blade, and an old cutting mat, and sometimes it cuts almost all the way through the vinyl, but for this application it all works out fine.
Next is weeding, or removing all of the bits of vinyl we don’t need. I tend to use an X-ACTO knife to pick and grab off the pieces. It works well for tiny things like this.
The vinyl is all weeded and we’ve got a piece of transfer paper ready to apply. (The transfer paper sticks to the top of the vinyl just enough to pull it from the backing sheet.)
Once the transfer paper is down on the vinyl I press hard and rub it on good so it’ll adhere to all the tiny pieces.
Peeling back the transfer paper is best done slowly, checking to see if any vinyl doesn’t get pulled up. Occasionally you have to press it down again to grab a piece of vinyl that didn’t stick properly.
Here’s the transfer paper with all the bits of vinyl stuck to it. At this point we can stick it down onto the copper board that will be our PCB. (I usually give the copper board a light scrubbing with steel wool before sticking the vinyl on.)
Once again we press hard and rub the transfer paper onto the copper board, and then peel back slowly making sure we don’t lose any tiny bits of vinyl in the process…
And here’s our copper board with the vinyl resist in place. The vinyl works as a mask to protect the copper from being etched away. Anywhere you don’t see vinyl you won’t see copper when we are done.
Over to the PCB etching machine! It’s what we might call “janky” because I constructed it very quickly to etch some PCBs and it worked well enough that I never built a better one. I did upgrade from a servo to a DC gear motor at some point, but the bearings are still riding on smooth rods much smaller than they should be. Again, it works, so I don’t mess with it.
After adding equal parts hydrogen peroxide and vinegar to the tank (which is a food container from Noodles & Company) I put the copper board into the solution…
The board tends to float at first so I push it down with a brush. (I also use the other end of the brush to wipe away the solution while the board is etching.)
Yes, my chemical mix is hydrogen peroxide and vinegar, with a dash of salt. There are other things you can use, but this combo isn’t really dangerous, and can be easily disposed of by pouring down the drain with plenty of water. If I can avoid harsh acids, I will. It does take a bit longer to etch, but that’s where the salt comes in.
Once I start the agitation process to keep the board and liquid moving back and forth, I throw a bit of salt into the mix, which activates things and tends to foam up a bit. The foam means it’s working!
This is about 45 minutes into the etching process. You can see that the copper is nearly gone all around the edges, but not as much in the middle.
Here’s the 50 minute mark after adding a pinch more salt to the mix. It’s mostly etched but still has more copper to eat.
At about an hour and ten minutes the board is fully etched. Time tends to vary depending on if I reuse the solution or start fresh. I’m typically not in a hurry and tend to reuse solution a lot, which does take longer, but means I’m wasting less solution.
Once the board is done I pull it out and use a razor blade to gently remove the pieces of vinyl. They tend to come off fairly easy, but they are wet and stick to everything, including fingers, razor blades, the board, and anything else within 50mm of the work area.
After the vinyl is removed I wash and rise the board and then dry it and give it another quick scrub with steel wool.
We’ve now got a PCB, or a “Printed Circuit Board” as they are commonly known. (Somehow almost everything I do revolves around “printing” somehow…)
That covers the etching, so the next steps are to drill all the holes and to cut the boards apart.
Oh, you’ll also want to check out this mesmerizing video featuring the PCB Etching Machine in action. Agitation is the name of the game!
This is just one post in a series, check out the other posts as well:
Some of the folks I know at UWM are putting on a symposium called Zoom Milwaukee, which will focus on craft, culture, innovation and making. They’ll also have a Maker Plaza which they described as a sort of “Mini Maker Faire” environment. They also asked if I could do a hands-on make-and-take workshop, so I decided to do a Learn to Solder activity. I’ll attempt to walk through my process for developing it in this and future posts.
Since I’ve been using Fritzing to design PCBs I thought I would play around with some ideas. The basic Learn to Solder kit tends to revolve around an LED or two, a battery, and maybe a pin of some sort. They are typically wearable badges. (Here’s a prototype and final board from Milwaukee Makerspace. Maker Shed has some nice ones as well.)
Oh, and ignore than second resistor, that was just to determine some spacing issues. Same with the battery. Fritzing isn’t the greatest tool for PCB design, but it (mostly) works and it’s simple to use. I did end up checking a version of this board with OSH Park to determine pricing and specs, but eventually I decided that this isn’t the board I wanted fabbed, and with a deadline quickly approacing I decided to go another direction.
I did use the work from Fritzing as the basis of the design I did in Inkscape though… And why Inkscape? Because my plan was to create this kit as cheaply as possible, which meant I’d be etching my own boards. I visited my friends over at ebay.com and started searching for components. I’ve ordered blank copper boards before so I got a bunch of those, and some LEDs and the appropriate resistors, and some batteries.
The evolution of design. The nice thing about etching your own boards is that you can do a few, test them out, and make some changes, and do it all again. You can do these revisions fairly quickly and very cheaply. Here’s a number of my design tweaks as I etched boards. Some things got larger, some got smaller. I needed something I could easily cut from vinyl using a Silhouette Cameo, so super-small pieces had to be avoided. The minus sign caused the most problems. You can see it change in size as we go. (The outline around each board is to assist with cutting them out.)
Here’s the design 6-up so I could fill a blank copper board for etching. Weeding the vinyl wasn’t a nightmare, but pulling all the tiny pieces off the final board wasn’t fun.
The copper boards I used are about 4″ x 3″ so the 6-up layout I did was loaded into the Silhouette Studio software to cut the vinyl. This worked well as I tend to have a lot of little scraps from bigger jobs to use up. (I did mention doing this on the cheap, didn’t I?)
Here’s a shot of one of the earlier design revisions with the vinyl applied to the copper board pre-etching stage. Once the etching is done all the copper you can see will be gone, leaving copper just where the vinyl is. The vinyl is the resist in this process.
This is just one post in a series, check out the other posts as well:
My pal John McGeen posted a challenge for February. The challenge was to design a screwdriver. He also said we should “Push the boundaries of what is possible”, and while I’m normally a hammer guy, I figured I’d try a screwdriver.
While John was busy making a real screwdriver I thought about the challenge, and at first I thought about designing a 3D model of a screwdriver, and then I thought about making a nice screwdriver shaped sign using a large piece of wood, and ultimately being overloaded with projects in February I ended up doing something different.
I started this project by thinking about screwdrivers. The first screwdrivers I ever used when I was a kid belonged to my dad. He had nice Craftsman tools. I remember him telling me that Craftsman had a lifetime warranty on their tools, and if you ever broke one, they would replace it. I still have a few Craftsman screwdrivers, but over the years I seem to have collected many other brands. None of them are probably the same quality of the old Craftsman tools, and none of them hold a memory for me like the Craftsman do.
I found a photo of some Craftsman screwdrivers and used them as a basis for tracing the outline I wanted for my silhouette.
Once I had my screwdriver shape drawn out in Inkscape I added the word CRAFT using the typeface Adobe Naskh Medium. I wanted a contrast from the original CRAFTSMAN type which was a simple sans-serif typeface. I also flipped the screwdriver horizontally so the handle was on the left.
Detail of the handle and the CRAFT text. I also colored my illustration green because I planned to use green vinyl, again as a contrast to the red and blue of the original Craftsman screwdrivers.
After the text was added I changed it to outlines and then exported it as a DXF file to load into the Silhouette Studio software to be cut.
In Silhouette Studio I scaled it to an appropriate size for my laptop screen, which ended up being 242mm long (or 9.5″ for you non-Metric folks.)
The vinyl was then cut and weeded. I also cut a small piece of transfer paper to attach to the vinyl to hold the islands from the text in place.
Yes, it’s finally time to replace the Imperator Furiosa skeleton arm. It had a good run of more than six months before the change. (It took a Simple Green scrubbing to get the lid clean before I applied the screwdriver vinyl.)
Here’s the 13″ MacBook Pro with the screwdriver vinyl applied. Overall I’m pleased with how it turned out and it feels good to have some new artwork on the old laptop.
I hope this is enough of a screwdriver for John’s new site GrindstoneMKE. I’m expecting that a bunch of different screwdrivers are going to show up there in the coming days. (I’m not sure if anyone besides me will have a vinyl screwdriver though!)