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Light and Dark

Engines

I recently shot some video of an engine rotating in place. The lighting was tricky because when shooting an object from all sides, you need to set up the lighting, and then rotate the object, and see how it looks, and rotate it again, and see how it looks, etc. With a still photo, you can light for your shot, at a specific angle, and of course, re-light if you change angles, but with video it all has to work no matter where in the rotation the view of the object is.

I shot the engine on black, focusing on lighting it, but not the background, as we wanted black, not “black dimly lit.” It worked out well, and I just had to mask out a bit of the background that wasn’t fully black.

But then, the client wanted to see it on white. Setting this up proved more challenging, as the focus became lighting the background to make it disappear, and since the background was not seamless (remember, the engine is rotating during the process) I ended up focusing most of my efforts on lighting the background, not the actual subject, the engine.

There is a small amount of shadow to the front-right side in the white version, which is fine, as I was really just trying to avoid any shadow in the back or side where the seams were, to make it all look seamless, and keep me out of masking hell.

All in all, I’m happy with how it turned out. (I personally like it better on black, but hey, that’s just me. :)

(Update: You can now see some sample footage.)

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RPM is done!

Yes, the RPM Challenge comes to an end again… and I’ve got another album.

This one is titled “Navasio” and features 5 songs which provide 36 minutes of music. And you know what, I’m pleased with it. I actually like listening to it, which I find amusing. Even if everyone else hates it, I think I’ll still listen to it, and enjoy it… so that’s cool.

I took a very different direction this year. In 2008 I was really just continuing the way I created music in 2007, which was… grab guitar and bass, plug them into my Mac, fire up GarageBand, find a beat, and start recording. Last year’s effort was pretty disjointed, but there were a few songs I really liked. It was a good learning experience, and that’s enough.

Since 2008 I’ve moved up to using Logic instead of GarageBand, and also upgraded to using a Firewire audio interface (the Behringer FCA202.) I know that some people think Behringer is crap, or it’s inexpensive for a reason, but it served my purposes quite well. I had no complaints, it just “worked” which was good.

Navasio I also realized my old Washburn sounds like… total crap. No matter what I did, it still sounded like crap. Keep in mind, it’s a cheap guitar, and I’ve had it for like 20 years, and it only has 5 strings, and… it’s crap. Old pal Milton loaned me an Ibanez he had on hand, and that was better (and I used it on the first song I recorded) but after the first few days of February my kids were kind enough to loan me their Fender (yes, they have a better guitar than I do) and the Fender sounded great! My old Ibanez bass still sounds fine, and while I’d love a Fender bass, I can’t justify that quite yet…

Ah yes, the process… So in 2008 I would write/record a song, and immediately upload it to archive.org and then post it on this blog. It was quite a process. The whole “making a song” was typically compressed into a few hours. At the end though, it was more like, I just did the last song… it didn’t feel like I completed an album, so this time, I worked on all the songs until the last day of February. That’s not to say I didn’t still record most of them in one sitting (some I did, some I didn’t) but I did a lot more listening, and spent more time mixing and engineering the tracks (but not enough!) I would have loved to have had another few days to do mixes, listen, and tweak things… but at some point, you gotta be done, and with RPM, that point is February 28th.

So by now you’re like… “Shut up already, let’s hear it!” and yes, yes… soon… I’ve got it out to a few people to get their opinions. People who also make music, or who I think might like it based on the genre it may inhabit. But rest assured, it will be available soon… online, for free, under a Creative Commons license… cuz that’s how we do it around here….

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Working for the Mixdown

Final Mixdown

It’s February 28th, 2009 and I just completed the final mixdown (I hope!) of my album for the RPM Challenge.

I’ve been at the board for over 5 hours, after working all day, and I’m tired, and I hope it sounds good…

Next, some sleep, and then to do the album artwork in the morning…

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Green Day vs. The Knack

Through a strange set of circumstances (isn’t it always that way on the Internet) I came across this archive of zines, which included a PDF of Massive Zine #1, which I contributed to…

Here’s the piece I wrote, in all it’s scanner and JPG’d glory…

Massive Zine

I also contributed a bunch of full-page graphics to Massive Zine #2 (PDF) which I won’t show here because they aren’t nearly as funny…

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I Love The Eisner

The Eisner American Museum of Advertising & Design is holding it’s “I Love The Eisner” event on February 20th, 2009 and it will be featuring the “250 Square Feet of Art” exhibit.

The description says: “250 Square Feet of Art” gathers the work of local artists who each received a square foot of plywood with which they could create a work of art.

I submitted a piece this year, it’s titled “Crayons” and it looks like this:

Crayons

I believe they auction them off to help raise funds for the Eisner, though I’m still not sure if there are more than 250, and only 250 get selected, or if they all get auctioned off, or what… Yes, I’m short on the details.

Anyway, if you happen to be there, keep an eye out for my piece, and let me know if you see it there… Thanks!