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Basement Photo Studio

Basement Photo Studio

Recently Steve asked about my setup for the photos I take. So I thought I’d show a few behind the scenes shots.

The setup consists of a table with a white sweep. There’s a roll of white paper held up by a few pieces of wood and a length of PVC pipe. This lets me unroll the paper to replace it as it gets dirty and worn out. A few spring clamps hold the paper in place at the edge of the table.

Basement Photo Studio

The camera sits on a tripod and there are two light stands with flashes and umbrellas. The flashes are old, and fully manual. One of them does have a dial to adjust the intensity, but the other does not. I end up moving them closer or farther a lot to adjust the light. The stands make it easy to move them around and raise and lower them. (There’s also some sandbags holding them stands steady.)

Basement Photo Studio

The flashes are fired by a set of wireless triggers, and even though I’ve had them for years, I’ve rarely had to replace the batteries. The flashes are a different story. I’ve got a set of 12 Sanyo eneloop rechargeable batteries and two chargers. Each flash takes 4 batteries and they tend to eat through them pretty quickly!

Basement Photo Studio

I shoot with a white background most of the time, but if I need black I’ll toss down some black fabric, or more likely, a piece of black posterboard. I’ve also been known to use hot pink posterboard, or yellow, or blue, or whatever I pick up at the dollar store.

I’ve got a few folding reflectors as well, but often I’ll just grab a piece of white foamcore board to use as a reflector. (Cheap foamcore is also available at the dollar store, though I tend to use the better stuff from a real art supply store)

I also shoot RAW images, which gives you a lot of room to adjust things when processing the images. Oh, and right now I’m shooting with a Nikon D3200, and for lenses there’s a Nikon 50mm f/1.8 and a Tamron 28-75mm f/2.8 that tend to get used the most.

That’s the basic setup. Any other questions?

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Readymake is Made!

Duchamp vs. Pete

About a month ago Bryan Cera invited me to print a copy of Marcel Duchamp’s favorite hand-carved chess set. The set had been lost to the ages, but he and Scott Kildall have resurrected it. It sounded like a fun project and it’s always interesting to collaborate with people I admire.

Duchamp Chess Set

Scott mentioned that I had a unique method of printing the pieces in parts and reassembled them in his post about the materiality of the project. I also painted my set with metallic silver paint to give it a unique look.

Duchamp Chess Set

Along the way, Patrick Lichty also printed a set, and Frankie Flood (being the Master of Metal) had to go way overboard and cast them in bronze!

Duchamp Chess Set

Anyway, my set is finally done, and I finally took photos, which you can see here. I actually spent a fair amount of time trying to replicate the shot of the original Duchamp set, getting the spacing and angles right, matching the lighting, and it’s close, but not exact. (See the top photo to compare.)

Duchamp Chess Set

Of course some of the shots I did were just because I wanted to experiment. The hot pink, and to some degree the black, show the reflective quality of the pieces, which is pretty neat.

Duchamp Chess Set

(You can view high resolution versions of each shot on Flickr, just click on the photos above.)

Note: September 2015 Update! What Happened to the Readymake: Duchamp Chess Pieces?” and What Happened to the Readymake: Duchamp Chess Pieces?

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Read This Carefully

KickFailure

There’s a great post by Cameron Moll on Medium titled The Economics of a Kickstarter Project (or How Much I Didn’t Make) which breaks down the numbers and offers some good advice for would-be crowd-funders.

I don’t know much about Cameron, and I won’t speak ill of him or his abilities, in fact, I love the Brooklyn Bridge piece he created, but I’ve worked in the creative industry (and the print industry) long enough to understand the importance of proofing things. Oh, I call it “proofing” but Proofreading is the more correct term.

About 20 years ago I worked for the creative division of a printing company, and I just happened to be tagging along to a press check with an account executive and they thought I’d like that the brochure being printed had a domain name on it. (Hey, it was the late 1990s!) When I pointed out that the domain name being printed was not one the company owned, there was quite a bit of commotion. There may have been some swearing and yelling as well. (Note: printing ink on paper is often very expensive!)

Over the years I’ve seen time and time again that making mistakes in print is a sure way to lose money. Indeed, had Cameron hired someone to proof his work, and even if he paid them $1000, he would have doubled the amount he had left at the end of his campaign had the proofer caught his mistake.

Proofing is not the same as “checking you work” because you are often blind to your own mistakes. You need another pair of eyes, hopefully a well-trained pair of eyes, to see the things you can’t see. (I’ve seen artists get so obsessed with the details of the type they are designing that they spell their own names wrong!)

Don’t take this post to say I don’t make mistakes, I make plenty of them! I make spelling mistakes and grammar mistakes, though they typically aren’t in print. I made one earlier today on a Facebook post, and one of my coworkers caught it for me. That’s how it works. You can’t do it alone.

Note: I’m currently working as a Technical Editor for a book that should be out this summer. If you enjoyed the previous book I worked on, I think you’ll like this one too. If you need a Technical Editor, get in touch with me.

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MaKey MaKey Banana Pong [code]

Banana Logo

I’m posting this because someone asked for it, and I aim to please… Here’s the Banana Pong code. I used code someone else wrote to bootstrap this thing, but there was no comment about who wrote it, and I didn’t make record of where I grabbed it, so… no attribution. Sorry! If it’s your code, let me know.

Have fun playing Banana Pong with your MaKey MaKey!

Note: The first ZIP file is the Processing source code. The second is a Mac OS X application. Since Processing has changed how it exports applications I can’t easily create versions for Windows and Linux like I did for the Apple Piano code. So if you want a Windows or Linux standalone version, you’ll need to grab the code and do it yourself. It should serve as a good starting point.

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3D “Drawing” Pens

3D Drawing Pens

There’s a number of so-called “3D Printing Pens” on the market now, or coming soon, though in reality I think they should be called “3D Drawing Pens”. I mean, you don’t have a “2D Printing Pen” do you? Pens are for drawing, they are not printers that print.

I know a lot of people are excited about these things, thinking it’s the cheapest way to get into 3D Printing (if they work) because you’ve probably seed some amazing photos of things people are creating with these things…

Well, here’s my thought on these pens:

If you’re terrible at drawing in two dimensions, you’re probably going to be terrible at drawing in three dimensions.

Yeah, if you’re a skilled artist who knows how to work a pen, you might make some awesome things. That’s how art works, but don’t expect to pick one of these up and create a masterpiece the first time.

That said, I do think these “3D Drawing Pens” are interesting, and I look forward to see where they go, and I await an open hardware version.