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Bucketworks Radio Commercial

Occasionally at Z2 Marketing, I engineer radio commercials. If you still listen to commercial radio, you may have heard one of them!

Well yesterday I was communicating with Jenn from Bucketworks, and we somehow came up with an idea to create a radio commercial for Bucketworks. Gabe agreed to be the voice, and Dana from Z2 Marketing re-wrote Gabe’s script, which was loosely based on my idea, which was way too long (but very amusing) so the results is below…

I love the fact that an idea can go from concept to completion within just a few hours. Granted, it helps when you have all the facilities at your disposal, and people willing to help. When creative people work together, good things can happen.

You can download an MP3 of this commercial, or an alternate version with no background music.

If you do a podcast, or a radio show, we’d love for you to play it. Thanks!





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EXPERT

EXPERT

Everyone needs an expert…. I am that expert!

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Design like you mean it…

Hey, did you see that new logo for the Wisconsin Tourism Department? Did you make a snarky comment, or just come straight out say say “it sucks!”? Probably…

Wisconsin

But, like most things… I’m sure there is more to the story.

I often speak about the difference between art and design. Yes, there is a difference. An artist creates work to satisfy themselves, while the designer creates work to satisfy the client. You could say the artist is their own client, which is why artists die poor. Designers, on the other hand, try to create work that is great, work they can be proud of, work that solves problems… but ultimately, the client makes the decisions.

So, when you hear that some company got $50,000 for a lame logo that totally sucks, you are outraged, and you make fun of it, and call it a “rip off” and say that your third grader could do better. While these things may be true, there are always other things to consider.

I can almost guarantee the State of Wisconsin did not just write a check to some company for $50,000 and a week later got this amazing logo in an email. You’ve dealt with government, right? The project probably took 3 years, and involved dozens of people, none of which agreed on anything. I’m sure there were better ideas that were scrapped, and there may be a whole campaign involving radio, tv, and print that is part of the $50,000. (Which would actually be a pretty tiny campaign.)There may have even been multiple people tagged as the “decision maker” throughout the process, which may have changed every month, or week, or maybe even the classic “design by committee” where a group of 20 people all had to agree on one thing, and ultimately, this was the outcome. (Hint: there’s a reason Steve Jobs makes all the decisions at Apple.)

Oh, not to mention, there are usually specific requirements a company has to meet to work with government organizations, including things like who owns the company, what involvement the company has with other organizations… you know, bureaucracy stuff. It’s what government is known for!

The designers I know, the ones who still have a passion for design, and haven’t just given up yet, love to be proud of their work, and want what they feel is best for the client… but at the end of the day, the client is the customer, and the customer is always right… right? (OK, the customer is not always right, but with the economic situation today, most companies are not in a position to fire their clients.)

If you’ve worked in the design industry, you’ve probably created work for a client that you didn’t like, or actually hated, but the client loved it, so you delivered it. It’s not going in your portfolio, and you don’t admit you designed it, but that’s just the way it goes sometimes…

And if you’re wondering… yes, I too think this logo stinks, but I blame the client.

(Disclaimer: I’ve worked in the design industry for many years, and am currently working with Z2 Marketing. I have a BFA in Graphic Design, but my titles have never included the word “designer” in them.)

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Web414: Creativity Challenges

Creativity Challenges

For the Web414 March 2009 Meeting we’ll be discussing Creativity Challenges on the web.

Have you taken part in National Novel Writing Month, or the RPM Challenge (record an entire album in a month) or maybe taken a photo every single day for a year for the 365 Days Project?

These are challenges (not contests) and there isn’t a winner or a loser (unless you beat yourself up about not finishing) but if all goes well, attempting to “meet the challenge” will force you to be creative when it’s so easy not to be. It’s too simple to come home from work, plop down on the couch and consume the latest piece of “entertainment” that someone else created, but if you like writing, making music, or photography, why not step it up and see what you can really do by giving yourself a challenge to be met?

It can be difficult… most of the people I know involved in these challenges have day jobs, friends and family, and other responsibilities. And often, things just “get in the way” or go haywire and you just can’t do it. Equipment breaks, computers crash, files get lost. I saw a post in the RPM Challenge forums from a guy who said he couldn’t finish due to the fact that he had to get divorced. Life can get in the way of things, and that’s all part of the challenge.

If everything goes right, you complete the challenge, you’re proud of what you’ve created, and hopefully you’ve learned something in the process, had some fun, and make plans to continue creating things and being creative.

If discussing this further sounds interesting, please stop by Bucketworks Thursday, March 12th, 2009 at 7pm and join in

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Light and Dark

Engines

I recently shot some video of an engine rotating in place. The lighting was tricky because when shooting an object from all sides, you need to set up the lighting, and then rotate the object, and see how it looks, and rotate it again, and see how it looks, etc. With a still photo, you can light for your shot, at a specific angle, and of course, re-light if you change angles, but with video it all has to work no matter where in the rotation the view of the object is.

I shot the engine on black, focusing on lighting it, but not the background, as we wanted black, not “black dimly lit.” It worked out well, and I just had to mask out a bit of the background that wasn’t fully black.

But then, the client wanted to see it on white. Setting this up proved more challenging, as the focus became lighting the background to make it disappear, and since the background was not seamless (remember, the engine is rotating during the process) I ended up focusing most of my efforts on lighting the background, not the actual subject, the engine.

There is a small amount of shadow to the front-right side in the white version, which is fine, as I was really just trying to avoid any shadow in the back or side where the seams were, to make it all look seamless, and keep me out of masking hell.

All in all, I’m happy with how it turned out. (I personally like it better on black, but hey, that’s just me. :)

(Update: You can now see some sample footage.)