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QWERTY Prints

Since I got the press up and running I figured I should put it to good use. I made a plate and made a few prints. One of the things I used to do when I did screenprinting was to do a print, add more ink of a different color, print again, and keep it going. In the end you have (usually) brown ink you can’t really put back into a can since you’ve mixed it all up, so I’d usually have a “brown” can of ink.

Anyway, this is a similar process, where you add more ink with each print. Luckily with this type of printing there seems to be less waste.

Since I recently posted about The Process I’m going to take some time with this post to talk about that…

Of course if you like these prints for their visual qualities, cool. That’s great! You can like them for that, but with everything, there is a story… a narrative… and there’s a process.

Often for me, creation is a exploration. I am extremely lucky that a good amount of the art I make does not need to be commercial art. I don’t have to rely on selling it to survive. I often make things, create things, or attempt to bring something into existence because I am curious. I ask “What if…?” and every now and then I have the means to find out. So let’s go for a journey!

I had attended a meeting for QWERTYFEST MKE, which will be an event focused on typewriters, writing, books, and all that stuff. (If you want a diversion, check out this post about my QWERTY Keyboard.) After the meeting I was thinking about typewriters and how back in the 1990s before we had easy access to computers we would go to Kinko’s and use the IBM Selectric typewriters to create type. This was our primitive method of typesetting: Use a typewriter to type, then blow it up on a copier until you had it large. We used this method to make flyers, and zines, and sticker and t-shirt art, or whatever. It was cheap and easy and fast.

Above is the artwork I used for the printing plate. I got this by starting with the one functional typewriter in my house. An old Royal that sits on our mantle. The ribbon is a bit dried up, but I was able to bang out q w e r t y.

I took the paper I typed on and scanned it into my computer using a Brother MFC-L3770CDW Printer/Copier/Scanner. Sadly it’s a digital thing, and you can see scan lines. I did try to blow it up quite a bit. I may have even printed it and scanned it again. Either way I was not pleased with the outcome, so I did not use it. Maybe I can play with the scanner settings a bit? (Fun Fact: I used to do a ton of scanning at my first internship and then job.)

After the poor performance of the Brother (which is actually a really nice printer and okay scanner) I grabbed the USB Digital Microscope on my desk and actually used that to capture the small type. The microscope can (supposedly) magnify 1000 times. I’m not sure that’s accurate, but that’s what it says on the tin. I did end up using this one. I brought the image into Affinity Photo and messed with the levels and made it monochrome as you can see in the stark black & white image further up the page.

After I made the plates and the prints I remembered I got a nice scanner for Dana’s desk. It’s a Canon CanoScan LiDE400 that can do 4800 dpi resolution. Much higher than the 600 dpi my Brother does. You can even see the grain of the paper!

The other method I probably could have used to magnify the type would be to photograph it with my Nikon DSLR. I didn’t think about that until later.

So as I said, it’s a journey. I now have a number of methods to try next time, and have some idea how they will turn out. I can also do the copy and enlarge thing multiple times. The “copy” feature of the Brother allows for 200% enlargement which is… okay I guess. The idea is that with each copy things degrade a bit, and you get type you cannot get by using a digitally created font. You can see that attempt in the image above. Maybe I should have started with that method… (Note: The Brother can do 400% enlargement. It’s in a submenu.)

Lots more to explore here, and I look forward to it!

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The Process

For me (and I hope others) a large part of art is the process, and that includes the struggle, the narrative, the background, and the humanity we share.

I saw the gallery show of a friend of mine yesterday, and I had the opportunity to hear about what the artist had been through, and how the result of the experience of recent years led to the creation of the art, which was based on who and what their parents were, and their deaths, and the art as a remembrance of them. It was powerful, and as someone who has lost a parent (and the partner of someone who has lost both of their parents) it hit pretty hard.

Sure, there’s art we experience and like (or love) done by artists we don’t even know. Maybe they’re long gone, or they’re anonymous, or all you know is a name. And that’s fine, but I often find that the human connection, the understanding, the details about the work, and how and why it was created, is a key element of the work. I’ve always been someone who enjoys the “behind the scenes” stuff. As a kid I loved the Star Wars films, but I equally loved the documentaries explaining how they made them. Seeing the models and practical effects gave me a sense of understanding, and seeing the people involved in the creation, the “back of house” people who are crucial to any production, helped guide me.

I don’t want to just dismiss AI art as “cheating” because it’s different/easier than what’s come before, but I see AI art as a specific process, and right now it’s not a process I care for. Others do, and well, good for them? Personally I think some of the humanity of art gets lost along the way. And what is art without a dose of the human condition mixed in?

I did photography in the film days, but it didn’t stick. Film was expensive to process and after I left school I didn’t have access to a darkroom. A decade later when digital cameras were readily available I was all in. Was it cheating? To me the process of framing a shot, capturing the light, seeing a subject and recording it, that’s the process to me. I wasn’t a fan of the darkroom, but every shot I take with a DSLR gets “developed” or processed, in an image editing application. Levels, white balance, brightness, hue, saturation… all adjusted. The stuff that would be done in a chemical darkroom, I still do, but digitally. It’s extremely rare I capture an image on a DSLR and it’s not processed it some way. (Oddly enough, my daughter is a darkroom nerd. Probably using the same darkroom at UWM that I used 30 years ago!)

If AI art opens the door to more people being creative and making things they never could before, I’m all for that. It if just gives corporations more power and says to artists “Fuck you, we have machines for that now” well, I don’t care for that at all.

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What When Words Are Our Art

I am not a perfect human, and I have many flaws. One of these flaws is that sometimes I fail to recognize the efforts that someone makes and focus instead on the mistakes they made. When I say “mistakes” I am speaking of typographical (or related) errors in the publishing realm. First, a disclaimer. I’ve worked in publishing for over 30 years, and I also really, really, like to get things right. (I’ve even served as a Technical Editor for two books. And I still make mistakes!)

But when someone volunteers their own time to help promote something (good) and I point out the errors, I think I am being helpful… but I also need to remember there is a human on the other end of my feedback.

After a recent incident, a friend sent me the image above. Here’s where my brain does weird things. When I saw the word “hykoo” my brain did not translate it to “haiku” and I assumed it was a non-English word. Of course it’s just a phonetic spelling of haiku. Yeah, it took me a minute.

I think my friend thought I might be annoyed by this image, but I see it as art, and in art, there are no rules besides those the artist creates for themselves. I like the image you see above.

This one’s a classic! Did I mention I have a degree in Graphic Design? Well, I do. This will piss off all of your designer friends! Except, not really. It won’t. Not if they are good designers. As a designer, I recognize this was designed. I realize a designer made conscious decisions about how to space everything. The kerning and leading are not accidents, or defaults that were not adjusted by someone. The use of white space in this piece is quite good. This is all deliberate, and it works really well. (Except for the idea that it will piss off your designer friends.)

Here’s a recent print I created. The type is a bit distorted, and it may be difficult to read. That’s okay. This is a piece of art. Communicating the message is not the only purpose of this piece. In other forms of publishing communicating something as clearly as possible is probably the number one goal, and with that in mind, avoiding errors (typographical or otherwise) and creating a message that is clear, concise, and well written is what most people probably prefer.

But what do I know? I’m just a hack. (Also, let me know if there are any typos or other misteaks in this post.)

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That DAWless Thing

Recently I posted about my history of music making and my love of the Pocket Operators. Now if you don’t know what a DAW is, DAW stands for Digital Audio Workstation, and basically it’s a computer with music making software. GarageBand, Ableton, Logic, even Audacity. There are tons of pieces of software to turn your computer (or tablet or mobile device) into a music making machine… and I don’t really want to use any of them right now.

Don’t get me wrong, I love computers, and I love creating things. I mean, I often spend 8 to 10 hours a day using a computer, staring at the screen, moving a mouse and typing on a keyboard. And for my own sanity, I want some time away from that. I want to be able to get away from my desk and be creative and have fun and not have to be disrupted by alerts and notifications and the lure of my browser and email. Doing DAWless means you can walk away from the computer, disconnect, and still be creative.

One of the reviews I read for the Pocket Operators was from a dad who said it was the perfect gift for his son, “No boot up, no login, no screen time, no advertisements… just him pushing buttons, turning knobs, and making beats.” There’s something kind of beautiful about that.

Another friend of mine who used to play in a few bands said that with a you child at home it became difficult to meet up with other to jam and make songs, but he could do it all at home on his own with synths and other gear. (Jamming at home alone with headphones is also pretty pandemic friendly!)

Honestly I think my goals with this all are to have fun, explore sound, and maybe even make music that I actually like listening to. So far I’m doing well with those goals, so I’m pleased with where things are going. Oh, if you want to check anything out, here’s a YouTube playlist!

Here’s a few interesting articles about the DAWless thing well beyond what I’ve discussed here:

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Recent Illustrations

Here’s a dump of a bunch illustrations I’ve created recently. These were all created for the Brown Dog Gadgets Project Database. I’m still learning new Illustrator techniques, so that’s good. Enjoy the drawings!