DrawCamp was held June 12, 2010 at Bucketworks in Milwaukee, Wisconsin.
Mike Rohde Expert Sketchnoter from the Sketchnote Army was on hand to demonstrate his skills, and I managed to point a camera at him and record the event.
Tag: video
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PowerSmash: Death of a PowerMac
So there I was quietly trying to enjoy my lunch when I heard voices… I then found these two nutcases out back near the dumpsters with an old PowerMac so I grabbed the video camera and caught it all on tape.
They told me they may have more things that need to be smashed, and that I should be on the lookout and always have a camera ready… I told them that if they bring the smashin’ I’ll bring the camera, and we’ll see what happens.
Enjoy!
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The Clapper
The Clapper from Pete Prodoehl on Vimeo.
Instead of getting the proper amount of sleep, I made this video. I hope you enjoy it.
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Crop Factor on the RED ONE
There’s plenty of articles about the crop factor on digital cameras. If you shoot with a DSLR you’re probably familiar with a full frame sensor versus a cropped sensor. Here’s one titled Crop Sensor (APS-C) Cameras and Lens Confusion, and if that’s not technical enough for you, check out the Wikipedia articles Image sensor format and Crop factor.
Done reading? Good. Does your head hurt? That’s not good! Let’s look at some pictures instead. (Note that the same lens, a Nikon 28-70mm f/2.8 set to 28mm was used for all of the following shots. It’s an FX lens, not a “cropped” DX lens.)
Fig. 1: Nikon D300
Fig. 2: Nikon D3x
If you’re familiar with the Nikon world, the D300 is a cropped sensor camera, also knows as a DX format camera. (Or APS-C in some circles.) While the D3x is a full frame sensor. Simplified, the D3x sensor is bigger than the D300 sensor.
You’ll notice the photo from the D3x shows a whole lot more. Same lens, same focal length, but different size sensor. The larger sensor of the D3x gives us a wider angle of view.
That all makes sense, right? So let’s look at the RED ONE.
Fig. 3: RED ONE at 2K Resolution
Fig. 4: RED ONE at 3K Resolution
Fig. 5: RED ONE at 4K Resolution
Whew, look at that… You’ve got a much wider field of view when you shoot at higher resolution. The difference here is that with the Nikon D300 and D3x, we’re using two completely different cameras with two different sized sensors, but with the RED ONE, it’s still the same camera, we’re just changing the effective size of the sensor by changing the resolution. Shooting at 4K uses the whole sensor, while shooting at 3K uses only a portion, and 2K uses an even smaller portion.
So when using the RED ONE, the resolution you shoot at is going to affect the amount of sensor used, as well as the angle that your lens will capture. Important things to remember when you need that wide shot.
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The (Low Cost) Red DIT Station
If you’re on location with the RED, it’s a good idea to have a Digital Imaging Technician Station (or DIT Station) which will allow you to backup up all the footage you are shooting while you are in the field, and will also allow you to view the footage and make sure it’s all good before you leave the field.
If you’ve got an unlimited budget, I’d recommend the top of the line MacBook Pro (which can easily run $3,000-$4,000+ depending on how you deck it out) as well as a few external drives. Look at the G-Technology offerings, as they have various solutions depending on your budget and needs. The G-Raid mini is a nice, small, bus-powered drive with a quad interface (FW400, FW800, USB2, eSata.) Get a few of these. You could go with the 1TB, but the 500GB might be fine. You want your data in two places, and not “RAID two places” but “two different physical drives” places. The RED Drive holds 320GB, so if you are dumping a full RED Drive, you could just dump it to a 500GB drive (well, two drives) and mark it as “DONE” and move on. Oh, and since we have gobs of money, pick up an ExpressCard with eSata on it to put in your new MacBook Pro.
For the “dumping” of data, you can either use something like R3D Data Manager which does all sorts of checksums for the data, can backup to multiple locations at once, and has other nice features, or you can do a standard Finder copy. R3D Data Manager is $79, which is not too bad… again, what is your footage worth? If you want to fly in the Finder, and can review everything you dump, that can work too.
Speaking of software, RED has provided a number of excellent tools for free. Grab REDCINE-X, RED ALERT! and whatever else you may need at RED’s support site. REDCINE-X is a nice little app for checking the footage you just shot.
So where’s the “Low Cost” part come in? Well, let’s say you don’t have the budget for the top of the line MacBook Pro… that’s fine, get the bottom of the line MacBook Pro (at least get a Pro, you want Firewire 800!) and with that get some drives. I still really like the G-Raid minis, but you could probably find USB bus-powered drives that are cheaper (and slower!) if needed, but again, we do want as much speed as we can afford. (Bus-powered drives are nice because you never know where power will be when on location… if there is power at all.)
If you are shooting to CF Cards, do yourself a favor and get a Sandisk Extreme FireWire Reader (about $65) which will dramatically speed up transferring of footage compared to a cheap USB Card Reader. (The low end MacBook Pro has just one Firewire port, but you can plug the Firewire CF Card Reader into the the back of the G-Raid mini, which has two ports.
So we’ve go the MacBook Pro, which is $1,300 before adding AppleCare (but here’s a tip, you can get a refurb, plus AppleCare for it, for about $1,295) add in two G-Raid minis (the 500GB) at about $450, and a CF Card Reader for $65. We come in under $2,000 for this set up, which is not the ULTIMATE portable RED DIT Station, but it’s a Low Cost one, that is effective enough to get the job done.