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An Automated Announcement System

AAAS Robot

An Automated Announcement System (or “AAAS”) is an idea for a system that can make scheduled announcements during an event when you are too busy to do it yourself.

This is an idea I was working on back around 2017 or so when I was one of the producers for Maker Faire Milwaukee. Each year the venue would have a PA system, and our venue manager would show us how to use it. It was typically a mic with an on/off switch attached to the front panel of a PA system ready to go. Pick up mic, turn it on, talk, turn it off. Simple, right?

The issue is that we always ran with a skeleton crew of just a few people, and we were always dealing with putting out fires or dealing with something important and would always forget to make announcements!

The other issue is that when you go live on a mic with 5,000 people listening you might not deliver your words smoothly… especially if you don’t have a script to read from… and who has time to write a script when things are one fire all around you?

So that’s where the idea of An Automated Announcement System came from.

The original idea was that I would create a schedule of announcements and then prerecord them all to audio files, then once we had a folder full of audio files we’d load them onto a Raspberry Pi with cron jobs to run a script to play the audio at the appropriate times.

The Raspberry Pi would have the audio output connected to the audio input of the PA system so it could just run in the background without any user intervention, and do the announcements for you.

Maybe the audio files would all have timestamps as names and one script would just run continually checking for a match of the current time and then play the file. That might be easier than scheduling a whole bunch of cron jobs. Heck there’s probably some super-simple unixy-system way to do it that. (If not maybe I should write one!?)

Anyway, that was my idea for An Automated Announcement System which never happened because I never had time to work on it and then in 2020 there was a global pandemic and Maker Faire was put on hold. Sigh.

Feel free to run with this idea if you like it!

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Giant LED Cube

You know when you mean to do something and then forgot and a few years pass? Okay then… I wrote the post Designing a Giant LED Cube in 2018 and hey, it’s time for the next post!

Anyway, I built what was (jokingly) call the “World’s Largest LED Cube!” but eventually settled on “Giant LED Cube” and here are some photos and videos showing it off. And yes, since it uses “LED Bulbs” I consider it an LED Cube. It’s not technically a “cube” because it’s a bit taller in the Z direction but hey, close enough!

To connect all the PCV pipes together I got eight 3-Way Elbows, twelve 4-Way Tees, eight 5-Way Crosses… and 27 Elbows, 28 Tees and a ton of PVC pipe, obviously!

The LED Cube was shown at Maker Faire Milwaukee in 2018 and 2019, as well as the Fall Experiment in 2019, The Elkhorn Mini Maker Faire in 2019, and the Madison Mini Maker Faire in 2019. Sadly at the end of 2019 the department I worked for got shut down and I was left with just the control box, the electronics, and the PVC connectors, as I didn’t have space for all the PVC pipes, though I did get some (not all) of them later on and thought about building a smaller version of the cube but life stuff happened in 2020. Sigh…

While this was a large sculpture (the largest I ever worked on) it was fairly easy to put up and take down, and could fit in a reasonably sized vehicle like a van, small truck, or even a Honda Element. the 5 foot pieces of PVC pipe did take up some room but 5 feet isn’t too unwieldy to deal with. All the other stuff fit in a few bins.


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Pete’s Prints at Maker Faire Milwaukee

Back in 2015 I became a Producer for Maker Faire Milwaukee, and helped put on the Faire for the next four years until 2019. Life changed a lot in 2020 and I did take part in the event as a Maker in 2021 and 2022, but life got a little upset in 2023 so I just attended as an Attendee. Well, it’s 2024 and I’m back as a Maker!

So come on down to the 2024 Edition of Maker Faire Milwaukee happening on November 23rd & 24th November 2nd & 3rd at Discovery World and see Pete’s Prints.

HEY! So yes, the date has changed! It was November 23rd & 24th but is now November 2nd & 3rd, 2024.

I will be there to show off my unique relief printmaking process. If you missed it, I designed and 3D printed my own mould & deckle and I make my own paper, mostly from recycled junk mail and other scraps of paper, and I then 3D print printing plates and print with them (onto the handmade paper) using a DIY printing press I assembled. Oh, I also 3D print frames for the prints.

Yeah, that’s a lot, so here’s a list of all of the posts I’ve written about my printmaking endeavors over the last year or so:

Whew! If you read all of those (or even just some of them) you might have some insight into my process. If not, feel free to come to Maker Faire Milwaukee and ask some questions!

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Synth Setup for Maker Faire Milwaukee 2022

For Maker Faire Milwaukee this year I was not a producer, crew, volunteer, or even a Maker… I signed up as a “Performer” and asked to be placed in the Dark Room where I could make synth & drum noise as much as I wanted to. I signed up under the moniker NoiseMaster 3000 which I used (along with Maks and Dustin) back in 2017.

Now, originally MFMKE was supposed to be at State Fair Park again, and in the past the Dark Room was filled with all sorts of crazy things. Noisy things, light up things, weird things, etc. So I figured I would fit right in. (Note: Back when I was a producer I would get local modular synth people to come and make noise in the Dark Room. I figured this time it was my turn.)

Well, the venue changed to Discovery World, and I was told there would still be a Dark Room. And… there was. Sort of. It was a theater, and the only other exhibit was Mark’s Sand Table, Arrakis. (And that was a last minute addition!) So it was really just me… in the Dark Room… alone.

It was fine. The second day Matt convinced me to bring Overhead Makey (one of my most successful exhibits) and I did, and it was grand. I also realized the Dark Room used to be full of stuff because I’d add at least a half dozen exhibits to it in the old days!

Anyway, I’m here today to talk about the setup, so let’s get to it!

I mentioned to someone that I’ve never taken all of this stuff out of my house before, and I’ve never actually connected it all together at once. Saturday was okay, but after screwing around with things all day I wanted to change a few things, so at the end of Saturday I ripped everything apart to reconnect it fresh Sunday morning.

What you see in the photo is what I had set up on Sunday when the Faire opened, and it pretty much remained that way all day. If Saturday was about figuring things out, then by Sunday I had things pretty well figured out.

In the photo above you’ll see the Behringer RD-6 Drum Machine, the Behringer TD-3 Bass Synthesizer, and the Behringer Crave Analog Synth. I sync’d these three together with the RD-6 setting the tempo. The RD-6 can very much be played/tweaked on the fly while it’s running, but the TD-3 not so much. I basically chose between patterns I had created and stored in the past. The Crave was connected to the TD-3 via MIDI so it was getting notes from the TD-3. That worked out fine since the Crave is all about twiddling those knobs to adjust the sounds coming out of it. And twiddle I did. I also invited others to twiddle.

Those three each had their own channel on the mixer. This made it easy to isolate them to explain to people which was making which sound, and I could set it to just output one of them, then show how that one worked.

Next up is the Korg Volca Sample 2, which was on mixer channel 4. (Note: The first day I did not have a cheat sheet to tell me what was on what channel, and mistakes were made.) Since the Sample is sort of a “budget groovebox” it can do quite a bit all on its own. I think on Saturday I had it sync’d to the RD-6 for a bit, but honestly having it separate was a good idea because I could have a totally different thing going on with it, and it was my “Second Setup” after the Behringer Trio above. The Sample 2 is definitely a thing that you can play live and perform with. In fact, that’s pretty much the only way I use it now, to build up a beat over time, slowly adding to it, and playing live by knob twiddling and button pressing.

We’ve got the Korg NTS-1 which is a fine little digital synth and effects box. I connected up a small device I made that generates 16 step patterns and then sends them out via MIDI. So basically this was running spacey sounds and every now and then I would generate a new pattern. I tend to mess with the effects and add chorus, flanger, delay, and other weird stuff. Sometimes I would run this on top of other things, like the output of the Behringer Trio, other times I would just run it on its own.

I forgot to mention the Monotrons! The Korg Montron Delay and the Korg Monotron Duo fed into a splitter (in reverse, so a combiner I guess) and joined in with the NTS-1. To be honest I didn’t mess with the Monotrons too much. They are fun, and the Delay is a nice little effects box, but I guess I just focused on the NTS-1 more.

We’ve got the Pocket Operator Crew in the lower right corner. Those feed into a Bastl Dude mixer, which I love using with the PO gear so I can do punch-in/punch-out and adjust levels individually. I pretty much just ran four sixteen step patterns on the drums and then messed around with the bass, office, and factory live. (Note on the Factory, I need to make a 3.3v power supply because batteries suck in that thing and constantly die. Rechargeables do not work, and Alkalines do not last.)

All of the Pocket Operators use a Sync Splitter so I can plug each output into the Dude mixer. I’ve explained the Sync Splitter before

Here’s a Moukey 6 channel mixer that everything ran into. I then had a splitter coming out of it so I could run to the amp and to my headphones, and to the old Zoom recorder I had to record everything. (Yeah, I’ve got over 10 hours of audio!) I wasn’t able to lower the input to the Zoom on the Zoom so I set the output from the mixer to a good level and then adjusted the master output volume on the amp. (Note: There is an 8 channel Moukey mixer. I should consider getting one of those for the additional two channels.)

Speaking of the amp (if you can call it that!) I used an old car amplifier I had lying around, paired with some old stereo speakers that had been sitting in the basement for years. Everything is mono so stereo is a bit of a misnomer here. This setup worked pretty well. I didn’t need to be super-loud but could get plenty loud for the quiet theater I performed in. Oh, I managed to fit all of my gear into a suitcase and the speakers took up half the space!

You can’t run all this gear with a lot of POWER!!! Just kidding, I do have a lot of wall warts but I was probably pulling well under 5 amps, maybe under 3 amps. (And all the Pocket Operators and the Dude were battery powered. I did plug in the Volca, though it could have run find on batteries) It’s a bit of a mess, of course, and there’s another power strip out of view for the light, battery chargers, and one synth.

I did bring the Arturia BeatStep and tried to use it a bit on Saturday but by Sunday I just put it to the side. I sort of ran out of room and I didn’t get it connected in a way I liked. I may need to make note of how some things get connected for the future. I do like the BeatStep for screwing around, as demonstrated in this video.

Finally, there was a small scrap of paper to remind me what devices were on what channels of the mixer. With all this gear, I got confused a few times on Saturday, so the cheat sheet worked well. I basically had four sequences running at once and could switch between them which made things a lot of fun. If I ever do this again (?!?!?) I’d probably do something very similar.

Okay, I hope you enjoyed this (very) lengthy write-up about my set-up. As I mentioned this is my first time doing this, and overall I was pleased with how it went. It was a super-low pressure gig where I could just have a good time. Cheers!

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VIDEO FACE [AVM-312]

video-face-01

One of the projects I built for Maker Faire Milwaukee in 2019 was VIDEO FACE [AVM-312] which is a companion piece to AUDIO FACE [APC-320].

This piece came about because my sister gave me a box of old security cameras. Specifically, analog video cameras. I brought them to Brinn Labs and hooked them up to one of my displays, and they worked fine. They just need a 12 volt power supply and they have composite video out. If you mix the two signals from two cameras together into one output you get a garbled and mixed signal, but if you add in a resistor and potentiometer, you have a way to control the amount of signal that the second camera leaks into the stream to mix with the first camera! (It’s an analog video mixer.)

video-face-02

I considered adding resistors and potentiometers to both cameras but for a standalone exhibit that would have allowed people to dial it down too much and the projector that was connected would probably have gotten confused and lost a recognizable signal and just shown “NO SIGNAL”, so I went with one camera full strength and the other variable.

Construction of this was very slapdash, using scrap wood I found at Milwaukee Makerspace one night. As yes, it’s supposed to look like a face, I mean, it’s in the name, it’s got two eyes looking at you, a nose with controls and a mouth, sort of…

video-face-03

During Maker Faire I had it hooked up to a projector that had analog video input. (Yeah, those are probably getting harder to find, but I have some interesting old equipment.) For other events I just used one of the small television sets I have on hand.


I loved doing these quick and dirty interactive projects, back in the old days, you know, before the pandemic.